Top 40 Pop Music
Dido Life for Rent Pop Music CD Review
Life For Rent is the latest Pop CD released by the richly talented Dido who once again has delivered a brilliant collection of tracks. I’m confident Dido fans, and Pop fans alike will be pleased with this one.
It's a rare day indeed that I get a CD from an artist that I can truthfully say does not have a bad track in the bunch. I'm more than happy to announce that’s exactly what I must say about this one. There simply is NOT a bad one in the bunch. No fillers here at all, with each song standing tall on it's own.
Dido possesses the characteristic of being able to win you over with her talent alone. The kind of artist I really enjoy listening to.
Overall Life For Rent is excellent from beginning to end. One of those CDs that after a few listens the songs are just etched into your memory. A must have for the Pop fan. Really sensational from beginning to end.
While this entire CD is outstanding some of my favorites are track 3 - Life For Rent, track 9 - Do You Have A Little Time, and track 11 - See The Sun
My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 1 - White Flag. What a nice track!
Life For Rent Release Notes:
Dido originally released Life For Rent on September 30, 2003 on the Arista Records label.
CD Track List Follows:
1. White Flag 2. Stoned 3. Life For Rent 4. Mary's In India 5. See You When You're 40 6. Don't Leave Home 7. Who Makes You Feel 8. Sand In My Shoes 9. Do You Have A Little Time 10. This Land Is Mine 11. See The Sun
Personnel includes: Dido (vocals, programming); Adam Zimmon, Paul Herman (acoustic guitar); Rick Knowles (guitar, keyboards); Rusty Anderson, Dave Randall (guitar); Sister Bliss (piano, keyboards, programming); Mark Bates (harmonium, keyboards, percussion, programming); Aubrey Nunn (bass); Andy Treacy, Mako Sakamoto (drums); Carlos Paucar (percussion); P*Nut, Steve Sidelynk (programming); Pauline Taylor (background vocals).
About the Author
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The Real World of Digital Music Production
The “diarrhea” of “an awful lot of” contemporary “pop, rap & rock” music (but not all!)
Do you know what happens when you live on a diet of processed entrees and fast food? When never a fresh fruit or vegetable passes your lips and your fiber count is measured in “mgs” instead of grams? You guessed it: that horrible “D” word. Also known in medical circles as IBS (irritable bowel syndrome) --
So what’s up with the computer spew of 75% of many contemporary popular artists? They, say the song is dead; well who killed it? Was it the independent label music movement? Certainly NOT! Was it rap, punk, or grunge or whatever? I'd say, could be. Was it Madonna who first put the crack in “The Wall” of song composing and instrument playing that earlier generations so carefully began brick by brick? I don’t know -- for you, but for me, it’s been a downhill ride since 1984.
I was one, well, that was at “the roots of rock” sort of speak (thanks to an older sister who took me to the Fillmore East in New York City at age 14) – I was naïve enough to ask about that “funny smelling smoke” and those funny looking cigarettes; I later thanked her, for I saw “Santana” live there when their second album (Black Magic Woman) hadn’t even hit the shelves.
I saw PINK FLOYD at that venue a year later when they were still called: The Pink Floyd and they had an opening act play before they came out (i.e. later when fame hit: Pink Floyd ALWAYS played alone because of their massive WALL of speakers and equipment.)
I saw bands in New York City that are now relics: Procol Harum, Jethro Tull’s first incarnation, YES, Bob Dylan WITH “The Band”!! – even Black Sabbath after their 1st LP; and, “Mott the Hoople” touring their FIRST LP. (Remember them? --an LP is an old vinyl record that was played on a turntable. YOU didn’t “use the turntable to scratch! – And they made crackling and popping sounds. LONG LIVE THE CD! And the mp3 too) But, I digress…
So where is this blog heading?
Today you can record and cut a CD in your bedroom. Then, (IF you have enough friends and a gig someplace – or JUST USE U-Tube) you can SELL CDs to YOUR FANS, if you can GET ENOUGH, you’ll even make money; MAYBE! It can all be done on your HOME Computer. And why, because YOU are a musician? “Frankly NOT my dear” as Gable used to say. (Gable who? say the younger readers?) It’s all virtual marketing after that…
In case you're still naïve as to how IT is done - that so many of today’s artists may not need to know almost anything about music, let alone, spend years playing an instrument or singing - and yet get on the “Virtual Airwaves” and even end up on the Today show spot, along with the “singing babies” that periodically appear on the internet sites and on “You-Tube”. Well it doesn’t even take “RC's” [read Record Companies] Perhaps just a shrewd “Boomer or GenX” Mom/Dad Manager)… Yep, it’s “Performance Now” and there’s very little music to worry those Artists about. The RC’s can still get their cut and have absolutely NO REASON to complain!!! - About the “Indie and Virtual Music artists” wrecking their profit.
THEY helped “build the beast” they fear everyday (and I hope it does eat their Creator like a type of “Cannibal Baby” gone wild).
And "they" profit everyday by the existence of a youth-culture fueled “Music” industry who’s “Heart & Soul” is made up of the “clinking, clacking, metallic empty banging” of a musical palette of sounds that is “as Soul-LESS” as the heart of the “King Beast” himself (you know that Devil “Sam” who is lurking behind everybody’s dream of a “musical-career "Garden of Eden") –
As for those “Singing Babies” and “Parading Sex-Toy Imagery of “Twelve-year+ something” girly-woman - parading across the video screens of Virtual and TV America (every so often) THEY, and those nice Boomer+ parents, are just hoping a couple will spell “C.A.S.H.” BIG TIME! - This is of course, once their product “Goes Viral…”
And so many of u“You-tubers,” (particularly) the older viewers will be “fooled-again” – having, (in anemic mental-lapses) forgotten the “Anthem of YOUR Youth: “We Won’t Be Fooled Again” (Who?); and, all those “smashing guitars” instead of “Smashing ‘those damn’ Pumpkins” (now Geriatric!)…
All BECAUSE “U” don’t have the “dog-damn” SOFTWARE that I just have to throw in the garbage! (I made a resolve NOT to swear lately, I don’t want to break my will just yet) – nothing against “dog’s really! – Though I am sort-of “one of those cat-guys”…Please don’t message my email, I LOVE animals with four-legs and some with two. (It’s spiders and insects with multiple legs that have been giving me the creeps lately, but then I live in a “real FOREST”…
It came in MARCH: The last “music equipment purchase I knew I was going to be able to make for quite sometime unless, - MY CD goes “Viral” - (highly unlikely as I don’t own a Video camera or even a digital camera) It will be tough to get on YOU-Tube or even MySpace Music with my “old-fashioned music-making way” (and so MUCH profitless Work – not to mention that! – Unpaid labor, hardly worth it) - but that’s aside the point:
In March (as I said), I bought a $100 desktop “plastic” 2-octave Midi Controller” keyboard with my last savings, (2 octaves means that it only has 25 black & white piano-looking keys) and along with that came (from this decptive “kraut” company) the: “Virtual Music Starter Desktop Composing Package” (a VMSDCP (!)) complete with 50 of the “Latest” Digital Virtual Sounds and Samples (your DVSS's!) that I thought my music was lacking(?!) – Or perhaps, I had a series of “faithless” self-doubts and collapse of my initial musical resolve formed so long ago in those many long hours and days behind “My Old Black & White”…But again, I digress:
So although the keyboard will be minimally useful at my computer desktop for editing and notation work, those wonderfully and cleverly named (and they really are!) modern sound samples have yet to be able to even be tested out with this “rat-like” maze of a software package! “They” (the Kraut Company) sent me for my $100 apparently a bunch of “demo-software” that ‘They” never even paid for – unfortunately you can’t do much with it! - If only after loading the .dll files I could hear the damn things on a reliable basis. But yes, I do like the names: i.e. Delay Lama, B-Assault, AManalogWar, etc – endlessly creative really!
So when I finally got a few to sound after much frustration the musical use was questionable, (for me I mean); unless you are purposely avoiding any musical references. But most of all, there was this “ambience of artificiality about them all” – This is the “so called musical world” we are abandoning our youth to, (I philosophically reflected, as I endlessly clicked and re-clicked the samples with my mouse trying to get them to sound). “This is a world where a real guitar or piano is mostly a “prop” –
Somehow every sound seemed to me the equivalent of “those frozen-processed entrees” Once in a while, a nice touch to a busy life and schedule; eat them regularly and “disease” is sure to get deeply-rooted with time.
OK so I’m not too fond of today’s musical sound palette, but it’s not just that:
The “composing software and the music software” that is the foundation of so much of the rock and pop that even comes out of the big studios today is not something that “miffs me” (believe me, I AM NOT that “old fashioned” I just like old 40’s movies). I understand it only too well; way back in the 1980’s when many of today’s young artists where still their “daddy’s sperm” beginning that long swim up their “mother’s canal”, I spent untold hours hunched over then “modern synthesizers” creating such effects and sounds; BUT by myself, with only the good old tech manual and use of dials, filters, oscillators… and so forth.
Today’s gig>>> You no longer compose music (especially from “your musical soul”) you download and merge the “pre-found” clips and beats included in the package. A “Soulless” and “Joyless” process in my opinion BUT not necessarily an instant, easy one. The “Result”? Everything you create has this “virtual stamp” on it and sounds like every other “voice in the box.” True, you shape it but hardly worth the learning curve to me.
As (the) PINK FLOYD predicted way back in '74 with their song: “Welcome to the Machine” ) from the album: “Wish You Were Here” the machine is now as a voice and its soul is in the “box” even if you try to musically think “outside the box”…And believe me: I loved MY PINK FLOYD… and English bands in particular. Their foresight is now come to pass (meaning: it is now true in reality what was fantasy in their lyrics)…“Welcome to the Digital Soul”>>>
So from the “soul-less” world of contemporary modern desktop composing, I now fondly bid you adieu… I and “my lonely soul” like a musical Henry Thoreau at some far-away “Walden Pond” on a frontier far from the “modern world” return to my “Digital Piano” that at least has 88 “real-action” keys and perhaps later tonight to “My Old Black & White” (still resting peacefully in my kitchen foyer). I played the theme to my song: My Old Black & White on it the other day, she sounded pretty good considering “she” hasn’t been tuned since my then 86-year-old piano tuner died (I think in 2002).
My old black and white, Greets me with silence, every night.
And whenever I walk through that door;
She’s been my friend now since ‘74
She’s still my old black & white
And though her keys no longer shine so bright,
She’s kept me company (through) many a lonely night.
She’s still my old black & white
I posed for the above picture the day of a concert I played for over 35 people in a log cabin, called “The Music Shed” in Cummington, Mass., A nice open-air mountain town of New England.
I was 30 then and I remember it as passing as briefly as a “summer day” in New England. The last year my body would be unmarred by “the needles of dialysis” and the ensuing struggle of the next twenty years of poverty and struggle to keep myself faithful to my chosen goal and commitment: to learn to play a REAL PIANO. I thought it was just the beginning of long and fruitful career doing this; but I hadn’t seen my latest blood reports….
It was a glorious June Day in the New England mountains and I played a grand piano, very well indeed…
My bio is where you can read more about my music and find links to listen and purchase my CDs: August Ocean Overture, and In Memory Only
About the Author
Michael Guy (a.k.a. Michael Guy L'ecluse) is a composer, pianist and author. He has 33 years experience in keyboard, music composition and education. He was a music theory major in college. He's also an author of a novel, "The Last Renaissance Man" and a song lyric booklet entitled "Across the Sea of Madness." He has a homepage with his recent writings and poetry posted at AuthorsDen.com. His books and CDs are available there. After much time in the underground world of music composition, in 2007 he's finally released his debut CD, AUGUST OCEAN OVERTURE, on his own label JzCDz. It's an eclectic mix of NewAge, Jazz/Blues and classical Americana pieces. It's currently available on iTunes, Amazon and other digital distribution outlets like PayPlay.
He spent much time in New York City in the 1980's working in music publishing. Since 1990 when he returned to Florida for a kidney transplant, he has been semi-retired and working in recording, music composition and writing.
He will be releasing his second CD of original compositions in late 2008 entitled, IN MEMORY ONLY, as a memorial for his recently deceased parents.
You can learn about me and my music at:
http://augustoceanoverture.blogspot.com/
http://www.authorsden.com/visit/author.asp?id=66063
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